“It's like a coming-of-age crisis,” says Daniel Shultz about Out of the Blue, the messy and melodic debut album from his band, Dan Luke and The Raid. “It’s about being in that space in your 20s where you’re trying to get your shit together and figure things out in life. You’re dealing with your problems”—the singer, songwriter and guitarist pauses—“even as you’re going out and partying and getting into trouble all the time.”
Shultz and his Dan Luke & The Raid band mates know a thing or two about the last part of that equation, as evidenced by the songs and subject matter on Out of the Blue. Throughout the album’s 10 tracks, people are passed out on curbs under neon signs (“Black Cat Heavy Metal”), breaking hearts over rolled-up dollar bills (“Exoskeleton”), leaving baggies lying in passenger seats (“Money Mouth”) and faking smiles and feeling ashamed (“Golden Age”). Legs are bleeding, faces are numb and Shultz declares his band to be the “diamond kings of smut.” All the while, the music throbs and pulses and twitches and buzzes with the energy and enthusiasm and inexperience of youth, bursting with harsh, distorted guitar chords, blown-out synths squiggles and hopped-up rhythms—as well as, on occasion, moments of stunning and sincere melodic beauty.
With the weight and experience of events that have been at times joyful and sad, poignant and puerile, triumphant and tragic, Dan Luke and The Raid continue to carve out their future, one musical moment at a time. “What we want to do is create music, and create music in a way where people feel something,” Shultz says. “And when we see that happening it’s an amazing thing.”
Tom Morello, Tim Commerford and Brad Wilk of Rage Against The Machine, Chuck D and DJ Lord of Public Enemy and B-Real of Cypress Hill have lived the resistance from day one. So it's no surprise that in the midst of 2016's tumultuous election, the revolutionary musicians would join together as Prophets of Rage to combat the coming storm, whatever it may be.
While the fierce independence and enduring influence of their collective lineage is nearly impossible to overstate, these creative kindred spirits knew immediately this was a different beast. Set for release in September of 2017, Prophets of Rage, their explosive, self-titled debut LP, exemplifies the band's commitment to creating a more decent and humane world. The 12 tracks, produced by Brendan O'Brien fuse the diverse styles, sonic firepower and hard-hitting social consciousness of the group's previous work into an inventive and commanding new musical statement.
this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy - we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.
Grizzly Bear releases their highly anticipated fifth full-length album "Painted Ruins" following up their 2012 commercial breakthrough "Shields." The band spent the better part of two years writing and recording the eleven new compositions featured on "Painted Ruins" with the entire album produced by Grizzly Bear's own, Chris Taylor.
For his feelgood third solo album We Wanna BeHyp-No-Tized, Pavement co-founder Scott Kannberg best known to the musical world as Spiral Stairs concocted some of the most fun and accessible music of his storied career by expanding his musical repertoire. We Wanna Be Hyp-No-Tized is fun, infectious and musically compelling, while still managing to cover some hefty topics like the current rambunctious political climate. Reuniting the bulk of the dream team who assisted him on Doris & The Daggers bassist Matthew Harris (Oranger, The Posies), multi instrumentalist Tim Regan and good friend Kelley Stoltz, as well as former touring Preston School Of Industry drummer Jim Lindsay We Wanna Be Hyp-No-Tized is the most fully rendered encapsulation to date of Spiral Stairs inimitable aesthetic.
Kesha reclaims her place in the music world with her new song, "Praying" - the initial advance track from 'Rainbow', her first album in nearly five years. Kesha wrote "Praying" with Ryan Lewis, Ben Abraham, and Andrew Joslyn; Lewis (Macklemore & Ryan Lewis) produced the track. 'Rainbow' will be released August 11th on Kemosabe Records/RCA Records. The music video for "Praying," is directed by Jonas Åkerlund. 'Rainbow' marks a new beginning for Kesha, one based around inner strength and musical exploration as she achieves her vision for the album by enlisting a roster of collaborators ranging from Eagles of Death Metal to Dolly Parton. Ben Folds produced the title track with Kesha, while Ricky Reed produced and wrote numerous tracks as well. Wrabel co-wrote a collaboration that features the Dap-Kings horn section. Eagles of Death Metal are featured on two tracks, while Parton guests on a version of her 1980 country chart-topper "Old Flames Can't Hold a Candle to You." The track was co-written by Kesha's mother Pebe Sebert, who also has other songwriting credits on 'Rainbow'.
Kesha has had 9 Top 10 hits on The Billboard Hot 100, including four #1 singles at Top 40 Radio - "TiK ToK," "Your Love Is My Drug," "Die Young," and "Timber." Kesha took home the MTV EMA for Best New Act in November 2010 and was nominated for 2 American Music Awards, 3 MTV VMA Awards, and 6 Billboard Awards. She has performed on dozens of television programs all over the world, including MTV Europe Music Awards, Much Music Awards (Canada), Echo Awards (Germany), X Factor (Australia), American Music Awards, Billboard Awards, American Idol, Saturday Night Live, and The Today Show Summer Concert Series
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Native Invader is the celebrated singer-songwriter Tori Amos hotly-anticipated new album on Decca Records. Tori's confessional style of writing sees her continue to push boundaries with her music. Her messages of empowerment, tenderness, acerbic assertiveness and her utterly peerless sound speaks to audiences across the globe. In this new album, Tori delves even deeper into her personal experiences, and the standard is there to be seen.
This record was written mostly in the summer of 2016 in my apartment off of Trinity Lane. A few tunes came out on the road as well. After moving out of an ex's house, I settled into a new neighborhood down the road. Shortly after, I picked up a tour with my good friend John Moreland where we went to the West Coast and back. I was trailing them in my little 2002 Honda Accord that has literally been all over the country with me. A woman in my early 30s, I found myself sick of my same old shit. I was inspired by the landscape of the west. My faith was tested on the curves of the Highway 101 through the Red Woods. I got terrifyingly stoned on weed gummy bears in Denver. I saw real cowboys in Wyoming and drove through a flood in Arkansas. I felt displaced, but connected. Upon returning to the south, my home of Tennessee, I slunk back into my nook off of Trinity. I went over all the things I'd seen. There had been a freedom in being so far away - a lack of responsibility, a distance from some of the issues, if you will, though I'd carried them right with me, back to my birthplace of Los Angeles, peering over the ocean, wondering how you can come so far yet end up in the same place. I contemplated fleeing and just staying in California, but the south is my home and I had to deal with what needed to be dealt with. I started to write. And go to the park. And listen to records. And play my guitar every night. Every time I wanted a man, I picked up my guitar. Every time I wanted a drink, I picked up my guitar. Love will take you to the darkest places but also to the most honest places if you let it. Learning how to love myself is something I've always been lousy with, and I spent some time on that. I thought about my sobriety, what that means to me, the struggles I'd had throughout the years, since I was a 27-year-old and hung up my toxic drinking habit. I thought about my mother, who took her own life when I was a baby, not far from my age at 30 years old, and I related to her more than ever. As you can see, there was plenty of time spent on my own. I didn't talk to that many folks, albeit a few close friends, and leaned into my family. I stayed away from men, and danced alone in the evenings, looking out my window observing my humble and lively neighborhood. I found power in being by myself. I found peace in the people I was surrounded with - we didn't really know one another, but we smiled when passed on the street. One time I almost rear-ended an older woman in her car backing out of my driveway and I said, "Oh man, I'm just not used to any cars coming around this bend." She replied, "This is our little hideout, baby.” And it really was. The woods were behind me, Dickerson Pike was in the front. So after a while, I had all these songs to play, and wanted to share them. I wanted to get out of town to get some distance from everything, so after an ongoing conversation with Michael Trent, I took my band to Johns Island, SC and we holed up for a few weeks. I poured my heart out, and trusted them with it, and these guys gave it right back. I think we all understood what it's like to question home, intention, demons, love....I think most people understand that. I hope you love this record, I made it for you.